![]() What happens when we die, in your judgment? But I think he still relates to characters sort of as kind of figments in his mind, as opposed to real people. He went into animation first, and then from there, you know, went into films. He’s not a writer, per se. He got into movie-making because as a painter his canvases started to speak to him and he needed to make these figures move. Well, David is, by training, you know, an artist and is kind of a surrealist. And that was sort of something that television hadn’t tried for a while. It was a show that if you were going to be rewarded by the show, you had to pay attention. This was not a show you could turn on as background music and sort of drift away and wait for the commercials. We also, I think, kind of broke a bit of a barrier in that it was a show you actually had to pay attention to. I think we, first of all, had a good mystery story going, which was the initial hook to bring people in. ![]() ![]() What was it about Twin Peaks that so galvanized the American attention? ![]() The interview covers The List Of Seven, Storyville, life after death and, of course, Twin Peaks. In celebration of Mark Frost’s birthday today, here’s his 10-minute appearance on Charlie Rose in October 1993. Please keep its age in mind and if you find any errors, feel free to comment. ![]()
0 Comments
Leave a Reply. |